01 C Orpheus Instituut Daphne Ronse

Date and location

November 21, 2019
Concertgebouw Brugge

MTT at Concertgebouw Brugge

EventNovember 21, 2019

Music & technology in the 21st century

Performances, lectures and workshops about contact between people (and machines)

Thu 21 November 2019, 13.30
Concertgebouw Brugge

Let yourself be overwhelmed by the latest technological advances, find out how software starts composing, hack an electronic instrument, experiment with turntables… In these short performances, lectures and workshops, contact between musicians, audience and technology is central. The Orpheus Institute selected its most unique projects for a themed interactive afternoon, for lay people and specialists. Free your ears for an exceptional experience!


13.30 - 13.50 Nicolas Collins, Roomtone Variations (ensemble & live notation)

13.50 - 14.40 Trance Map+ (Evan Parker, sax, Toma Gouband and Paul Lytton, percussion, Matt Wright, turntables and sound design)

15.00 - 16.00 Matt Wright: Avant Turntablism - workshop

15.00 - 16.00 Nicolas Collins: Hardware Hacking - workshop

16.30 - 16.50 Jonathan Impett, Apollo e Marsias (Marco Fusi, viola d’amore and installation)

16.50 - 17.10 Sean Williams, Kontakte and the materiality of making (presentation/performance)

17.10 - 17.30 Juan Parra, Timbre Networks (Brice Soniano, telematic double bass and Juan Parra, live electronics)

19.50 Nicholas Brown, Structural Cohesion, 2019 (Performed by Maribeth Diggle (voice), Natasha Lohan (voice), Nicholas Brown (piano) and student vocalists from Royal Conservatoire Antwerp (AP University College)). 



Free in combination with a ticket for:

Stockhausen, Janssens & Fantechi

Contemporary concert experience with contact as connecting thread
Thu 21 Nov 2019, 20.00

In Kontakte (1960) cult composer Karlheinz Stockhausen turns his back on traditional classical music. By adding electronics to the usual sound arsenal, he manages to create a single musical universe and extend the contact between performers and listeners.  HERMESensemble radicalise this in their performance of Stockhausen’s Solo: a musician in Bruges has a live dialogue with a colleague on the other side of the world. Season’s composer Daan Janssens and composer Daniela Fantechi formulate a contemporary answer to Stockhausen's enigmas.


Karlheinz Stockhausen (1928-2007)

Daan Janssens (1983)
(…sans rien dire…) (world premiere)

Daniela Fantechi (1984)
Residual (world premiere)


HERMESensemble: ensemble
Koen Kessels: musical direction
Centre Henri Pousseur & Orpheus Institute: live electronics

More info: www.concertgebouw.be/en/hermesensemble-1