Experimental Affinities in Music - Media Repository
This online repository contains complementary materials to the publication Experimental Affinities in Music. The materials include audio and video recordings of performances that took place during the Orpheus Academies 2011, 2012, 2013, and at the Orpheus Research Festival 2012. These examples should be viewed in connection with their respective chapters in the publication.
Related publication
Experimental Affinities in Music (Paulo de Assis, ed.)
Related events
Academy 2013: Experimental Affinities in Music: From Late Middle Ages to the Present
Academy 2012: Experimentation versus Interpretation
Academy 2011: Aspects of Artistic Experimentation in Early Music
Videos related to Chapter Three: “Vieltönigkeit” instead of Microtonality - The Theory and Practice of Sixteenth- and Seventeenth-Century “Microtonal” Music.
Author: Martin Kirnbauer and Johannes Keller
Chapter
reference: http://dx.doi.org/10.11116/9789461661883.ch03
Videos related to Chapter Four: “Inscriptions: An Interview with Helmut Lachenmann”
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch04
Title of composition: Wiegenmusik | Year of composition: 1963 | Composer: Helmut Lachenmann | Performer: Helmut Lachenmann | Date of recording: 01.10.2012 | Recording: Orpheus Institute
Title of composition: Pression | Year of composition: 1969/1970 | Composer: Helmut Lachenmann | Performer: Arne Deforce | Date of recording: 01.10.2012 | Recording: Orpheus Institute
Videos related to Chapter Five: Nuance and Innovation in Part I of the “48”.
Author: Mark Lindley
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch05
Suite in F#-minor from the Premier Livre de Pièces de Viole (1689) by Marin Marais: Prélude, Allemande, Courante, Sarabande, Gigue.
Performers: Dirk Moelants (viola da gamba), and Nicoleta Paraschivescu (harpsichord) | Date of recording: 04.04.2011 | Recording: Orpheus Institute
Le Labyrinthe from the Quatrième Livre de Pièces de Viole (1711) also by Marin Marais.
Performers: Dirk Moelants (viola da gamba), and Nicoleta Paraschivescu (harpsichord) | Date of recording: 04.04.2011 | Recording: Orpheus Institute
Audio related to Chapter Seven: "From Clockwork to Pulsation - Music and Artificial Life in the Eighteenth Century."
Author: Lawrence Kramer
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch07
Title of composition: Pulsation | Year of composition: 2010-2011 | Composer: Lawrence Kramer | Performers: Carlo-Andrea Berti (violin), Anzhim Medetbayeva (viola), Sara Verheyen (violoncello), Lucie De Ley (piano) | Date of recording: March 2013 | Recording: Orpheus Institute
Videos related to Chapter Chapter Eleven: "Testing Respect(fully) - An Interview with Frederic Rzewski"
Author: Luk Vaes
Chapter reference: http://dx.doi.org/10.11116/9789461661883.ch11
Felix Mendelssohn, Sechs Lieder ohne Worte opus 38, #6 (Andante con moto) Performer: Frederik Rzewski | Date of recording: 27.04.2012 | Recording: Orpheus Institute
Robert Schumann, Noveletten opus 21, #2 (Äusserst rasch und mit Bravour) Performer: Frederik Rzewski | Date of recording: 27.04.2012 | Recording: Orpheus Institute