SUBSERIES ORPHEUS RESEARCH CENTRE IN MUSIC
The new Subseries of the Collected Writings of the Orpheus Institute came in to being to present the research produced and promoted by the Orpheus Research Centre in Music [ORCiM].
The subseries will explicitly ‘zoom in’ on studies that take artistic practice as their point of departure and deal with questions and challenges that arise from that practice. It is this kind of research, in all its variety, which the Orpheus Research Centre in Music promotes and which the Subseries is designed to present.
This publication platform aims at developing a discipline-specific discourse in the field of artistic research in music and by extending the possibilities and understanding of musical practice will act as a springboard for future research in this young but fascinating area.
Available publications read more
 |
The Artistic Turn: a manifesto (Kathleen Coessens, Darla Crispin, Anne Douglas) |
 |
metaCage: essays on and around Freeman Etudes, Fontana Mix, Aria (Juan Parra Cancino, Magnus Andersson, Mieko Kanno, William Brooks) |
 |
Dynamics of Constraints: essays on Notation, Editing and Performance (Paulo de Assis, Mieko Kanno, Juan Parra Cancino) |
Upcoming publication September 2010 Practice of Practising The Practice of Practising focuses on the specific knowledge gained through the experience of musical practising and rehearsing. The authors explore the relationship between embodied and conceptual understanding: to what extent, and how, is insight gained and transformed through doing?
Alessandro Cervino, Catherine Laws, Maria Lettberg, Tania Lisboa (co-authors Roger Chaffin and Topher Logan)
noot: De pagina's inzake het Orpheus Research Centre in Music zijn enkel in het Engels beschikbaar.