Aberrant Nuptials

2nd International Conference on Deleuze & Artistic Research

20 - 22 November 2017

The philosophy of Gilles Deleuze and its resonating discourses have become increasingly relevant to the field of Artistic Research, and Deleuze is now a key reference for many artist-researchers engaging with knowledge across artistic, academic and non-academic fields of practice. DARE 2015: The Dark Precursor was the first conference attempting to trace the encounter between artistic research and Deleuze’s world. The Second International Conference on Deleuze and Artistic Research, DARE 2017: Aberrant Nuptials, continues that mapping, readdressing the question ‘How can communication occur between heterogeneous systems?’ through the associated concepts of ‘aberrant nuptials’ and ‘zone of indeterminacy’.

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Voorbije activiteiten

Inside the Hearing Machine

Première van de documentaire en lancering van de CD

10 oktober 2017, 19:00

Unieke première van Inside The Hearing Machine, een documentaire over Beethovens hoormachine. Dat evenement dient tegelijk als de feestelijke lancering van een nieuwe CD met dezelfde titel, met uitvoeringen van Beethovens pianosonates opus 109, 110 en 111 door pianist en artistiek onderzoeker Tom Beghin.

Tom Beghin_c_Pieter Peeters

Odegand - Virtueel Klassiek

16 september 2017, 13.30

In het kader van Odegand, Gent Festival van Vlaanderen

Altijd al benieuwd geweest hoe het voelt om deel uit te maken van een groot orkest? Neem plaats in deze 360 graden installatie en kruip in de huid van de verschillende muzikanten van een symfonisch orkest. Kom als eerste een knap staaltje virtual reality ontdekken! 

Orpheus Open Circuit

Zondag 3 september 2017 (13 - 18)

Orpheus Open Circuit celebrates the start of the new season. On Sunday September 3 the Orpheus Institute opens its doors for a late summer’s afternoon of new live electronic music. Composers, sound artists and improvisers – gathered under the research cluster Music, Thought and Technology – present new work that engages, challenges and fascinates. They are joined by artists from the Orpheus Electric Salon in a programme of performances, installations and public interventions.

We all now inhabit a common technological world. Come and join the Orpheus Open Circuit as we imagine how it is changing the way we all think about making and understanding music.

Electric Salon with Juan Parra & Jonathan Impett

Who's afraid of sound processing?

Donderdag 29 juni 2017 (17.00 - 21.00)

Juan Parra and Jonathan Impett (BE) present a hands-on introduction to the software environments most used by serious sound, interaction and multimedia artists: Max and Pd. These are flexible and powerful tools, but grounded in a few straightforward principles. You will quickly learn the basic concepts so that you can begin to develop your own ideas. Whatever, your own musical language, just bring a laptop and headphones (Max offers a 30-day demo version, and Pd is free).

Giornate della ricerca

29 & 30 juni 2017

Coordinator: Tiziano Manca

Conservatorio Luigi Cherubini di Firenze | Conservatorio Giuseppe Verdi di Milano | Orpheus Instituut Gent

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