SUBSERIES ORPHEUS RESEARCH CENTRE IN MUSIC

The new Subseries of the Collected Writings of the Orpheus Institute came in to being to present the research produced and promoted by the Orpheus Research Centre in Music [ORCiM].

The subseries will explicitly ‘zoom in’ on studies that take artistic practice as their point of departure and deal with questions and challenges that arise from that practice. It is this kind of research, in all its variety, which the Orpheus Research Centre in Music promotes and which the Subseries is designed to present.
This publication platform aims at developing a discipline-specific discourse in the field of artistic research in music and by extending the possibilities and understanding of musical practice will act as a springboard for future research in this young but fascinating area.

Available publications read more

	The Artistic Turn: a manifesto (Kathleen Coessens, Darla Crispin, Anne Douglas)
	metaCage: essays on and around Freeman Etudes, Fontana Mix, Aria   (Juan Parra Cancino, Magnus Andersson, Mieko Kanno, William Brooks)
	Dynamics of Constraints: essays on Notation, Editing and Performance (Paulo de Assis, Mieko Kanno, Juan Parra Cancino)
	Practice of Practising Alessandro Cervino, Catherine Laws, Maria Lettberg, Tania Lisboa (co-authors Roger Chaffin and Topher Logan)   NEW This publication was officially launched on 5 October 2011 during the ORCiM Festival 2011. As all publications it is available at Leuven University Press. Until November 4, 2011 there is a special festival discount of 20% when ordering by e-mail. Please mention the code: ORCiM 2012. Contact UPL: info@upers.kuleuven.be