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Your search for keyword 'subjectivity' returned 3 results: 1 running project and 2 finished projects

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Finished projects


Darla Crispin

The over-arching objective of PARNASSUS is to illuminate aspects of subjectivity in artistic experimentation through addressing a question that places the project's researcher at the centre of the discourse:‘What happens when a musical artist-researcher locates herself at the centre of an encounter with a highly-specialized body of cognate works with a view to generating new knowledge about their individually unique qualities, their distinctive commonalities, their relationship to more mainstream repertoire and their embeddedness in a matrix of interpretation that goes beyond the sphere of music?' 


[Un]Knowing Brahms

In spite of seemingly disparate approaches to the late piano music of Johannes Brahms, both mainstream and period pianists continue to adhere to a pervasive set of ethically-rooted style rules designed to protect modern constructions of Brahmsian sound and meaning.