Your search for keyword 'artistic experimentation' returned 21 results: 5 running projects and 16 finished projects
The HIPEX project traces, reconstructs, and documents historical practices in the performance of experimental post-WWII compositions, deepening our understanding of the role of the performer in the establishing of new repertoire and new performance aesthetics.
MusicExperiment21 (ME21) is a five-year artistic research programme (2013-2018) funded by the European Research Council and based at the Orpheus Institute Ghent.
Fascinated by the riddle of music creation, both in performance and composition, the investigators of this project aspire to unravel exploratory oriented experimentation (EE) in artistic practice. The project’s hypothesis postulates that this method, starting from sensorial observation and dynamic interactive exploration, offers a valuable aesthetic and epistemic tool for music creation.
In 1969 and 1970, Mauricio Kagel “made” two instrumental theatre pieces, Unter Strom and Tactil, for experimental sound producers. Since a fully encoded and composer-authorized score is lacking, the historical performers have been the only ones to play and record these compositions. The only adequate possibility to perform these pieces anew is through reconstruction of the original performance practice and the making of a score.
Throughout the 20th Century, the guitar has proven itself to be an instrument of many possibilities due to the increased interest shown by avant-garde composers. Several of these composers and/or compositions are either rarely performed, or performed with considerable difficulty due to problems of various nature. The key objective of this project is the documentation and reconstruction of the historical performance practice of such pieces. This result will be achieved through gathering information from historical performers and their collaboration with specifically relevant composers. Case studies to support the research will include music by Berio, Kagel, Lachenmann and Radulescu.
This research project critically and creatively investigates musical notation both as an extension of music aimed at performers and as a medium which reaches beyond or enlarges music‘s context, seeking to define new ways of thinking what music can become through innovative approaches to notation.