Fascinated by the riddle of music creation, both in performance and composition, the investigators of this project aspire to unravel exploratory oriented experimentation (EE) in artistic practice. The project’s hypothesis postulates that this method, starting from sensorial observation and dynamic interactive exploration, offers a valuable aesthetic and epistemic tool for music creation.
The research is centred on the development of a systematically atonal, dissonant, and amotivic serial composition technique. In this context, the concepts of tonality, consonance, and melodic motif have to be rethought. This leads to the development of new aesthetic ideas and their implementation in the composition of new pieces.