The Orpheus Research Festival is our annual showcase event of research, music and ideas, now in its seventh edition.
The Deleuzabelli Variationsx is a series of concert-performances based on processes of assemblage developed by Paulo de Assis and his team in the framework of the artistic research project MusicExperiment21 (ME21).
The Orpheus Institute announces “Christian Wolff at Orpheus,” two study days September 28 and 29, 2015, with the composer in attendance. Included is a keynote talk by Philip Thomas (University of Huddersfield) and an open rehearsal by TWO (Joseph Houston, Aisha Orazbayeva) of American experimental works, including a new composition by Wolff.
Reconstructions and reclamations of text, declamation and music in England, America, and Germany at the turn of the 20th century.
Sami Sälpäkivi and Bobi Girl in the first ever horse theatre in Finland, "Hiano Mailma" which he created with his wife Anne in 2002.
Courtesy of the authors.
Artistic research shares with François Laruelle's 'non-philosophy' and the emerging field of 'performance philosophy' a condition of internal conflict: On one side, artistic research breaks out of acceptable knowledge, on the other it seeks to make its outcomes accepted as knowledge; on one side, it appropriates artistic modes of inquiry and presentation for research, on the other research already pervades the very artistic practice that produced them; on one side, artistic research resists institutionalism, on the other it needs to develop and maintain research networks in and across institutions.